Little orphan Annie is rescued from a 1930s life of misery, poverty and the orphanage by benefactor Daddy Warbucks, in John Huston’s 1982 musical film of Charles Strouse’s Broadway hit show Annie.
Little orphan Annie is rescued from a 1930s life of misery, poverty and the orphanage by the incredibly rich and mushy-hearted benefactor Daddy Warbucks in director John Huston’s 1982 musical film of the famous Broadway hit show Annie, based on Harold Gray’s 1924 comic strip Little Orphan Annie.
The music by Charles Strouse, the lyrics are by Martin Charnin, and the book is by Thomas Meehan. The comic strip was inspired by the poem Little Orphant Annie by James Whitcomb Riley.
It’s a grand entertainment and surprise director Huston in his first and last musical at the age of 75 does a very lively job of work on it. And happily it is hard to resist the charms of Albert Finney’s bald-headed munitions tycoon Oliver ‘Daddy’ Warbucks and Aileen Quinn’s spunky moppet Annie, as well as the pleasures Charles Strouse’s entertaining score.
Even better and more fun still are the star character actor performances. Carol Burnett (as cruel orphanage boss, Miss Hannigan), Tim Curry (as her evil brother Rooster Hannigan) and Bernadette Peters (as their accomplice Lily St Regis) give effective, camp and funny pantomime-style performances as the villains and easily steal the show.
In the plot, Annie is picked to stay at the plush home of Warbucks, whom she proceeds to charm. Warbucks decides to help Annie find her long-lost mother and father but Miss Hannigan, Rooster and Lily plot to impersonate the parents to grab the reward Warbucks is offering.
Of course everything is exactly right with the vintage all-time-great toe-tapping or heart-tugging vintage show tunes like ‘Tomorrow’, ‘It’s the Hard Knock Life’, ‘Maybe I Think I’m Gonna Like It Here’, ‘Little Girls’, ‘Let’s Go to the Movies’, ‘Easy Street’, ‘You’re Never Fully Dressed without a Smile’. It’s a tuneful show, though, in truth, only the first two are standards.
Ann Reinking gives a charming performance as Grace Farrell, the sympathetic devoted secretary to Daddy Warbucks, and sings the songs ‘Maybe I Think I’m Gonna Like It Here’, ‘We Got Annie’ and ‘Let’s Go to the Movies’.
Trinidad dancer, choreographer and actor Geoffrey Holder plays Punjab. He most famously played Baron Samedi in Live and Let Die (1973). He died on 5 aged 84.
Edward Herrmann (1943–2014) plays F D Roosevelt. He died on 31 aged 71). He is best known for Annie (1982), The Lost Boys (1987), Overboard (1987) and Intolerable Cruelty (2003).
Because Annie cost a small fortune, $50 million, it struggled to take back its costs, earning $57 million at the US box office.
Another surprise came when it was remade for TV as Annie in 1999, with a sequel Annie 2 in 1995, and again as Annie for the cinema in 2014 with a second remake.
The stage show of Annie opened at the Alvin Theatre in April 1977, played for 2,377 performances, running for nearly six years, and won seven Tony Awards, including the 1977 Tony Award for Best Musical and the 1977 Tony for Best Book of a Musical. It set a record for the Alvin Theatre, renamed the Neil Simon Theatre.
Andrea McArdle, the first little girl to play Annie on Broadway in the original stage production of 1977, has the cameo role of Star-To-Be in the 1999 film Annie. Andrea McArdle also played the title role for 40 performances when the show premiered in London’s West End at the Victoria Palace Theatre on May 3, 1978, with Sheila Hancock, and Stratford Johns.
Double Tony award winner Bernadette Peters turned 70 on 28 February 2018. Her films include Silent Movie (1976), The Jerk (1979), Pennies from Heaven (1981), for which she won a Golden Globe Award, and Annie (1982).
RIP Ann Reinking, who died on 12 aged 71. She made her film debut in Movie Movie (1978) and the following year starred in the Bob Fosse biopic All That Jazz (1979). Perhaps her best performance was in her last film, Blake Edwards’s 1984 comedy Micki + Maude.
American composer and lyricist Charles Strouse (June 7, 1928 – May 15, 2025) is best known for writing the music to the Broadway musicals Bye Bye Birdie, Applause, and Annie.
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