Director Joseph Losey delivers a tense, grippingly performed, dark-toned thriller with plenty of seedy film noir atmosphere and an effective mood of desperation and despair in the 1951 film The Prowler. He has a very solid basis to rely on with Dalton Trumbo and Hugo Butler’s clever, fresh-seeming film noir screenplay that successfully rings the changes on an age-old, familiar plotline.
Dark-toned film noir thriller it may be, yet it was advertised as a ‘daring love story’.
Evelyn Keyes plays the quintessentially bored housewife Susan Gilvray, who summons world-weary car-patrol policeman Webb Garwood (Van Heflin) when she fears she may have heard a peeping tom prowler at her home. Soon, however, sparks light between them, they are desperately in love and planning to kill her husband William Gilvray (Emerson Treacy), who is in their way.
Both underestimated star players fill their roles with full emotional and psychological commitment, and Losey directs with great tension in one of his most interesting American outings before his exile in England enforced by the vile 1950s Hollywood Un-American Committee anti-Communist witch-hunts in the US.
The film is produced by Sam Spiegel (as S P Eagle), who co-produced along with an un-credited John Huston, under their Horizon Pictures banner. Huston was at the time married to Keyes and the film was conceived as a star vehicle for her.
The radio DJ announcer heard throughout the film is the voice of blacklisted screenwriter Dalton Trumbo, a member of the Hollywood 10, who co-wrote the film, originally uncredited, with his friend Hugo Butler. The original story is by Robert Thoeren and Hans Wilhelm.
Hugo Butler was soon blacklisted too, writing in exile from Mexico for 12 years and using pseudonyms (‘fronts’). Losey cast Trumbo as a dig at the censors but he too was blacklisted shortly after directing the film.
Novelist James Ellroy (L A Confidential, The Black Dahlia) named this his favourite film and described it as ‘a masterpiece of sexual creepiness, institutional corruption and suffocating, ugly passion.’
The Prowler was released in the US by United Artists on 25 May 1951.
It was produced independently, and not looked after, and eventually only one deteriorating print survived, but the Film Noir Foundation and the UCLA Film and Television Archive restored the film.
It was released on DVD in 2011 and on Blu-ray in 2015.
Keyes said this was the best role and performance of her career, though Mrs Mike was her best film.
While Keyes and Huston were married (23 July 1946 – February 1950), they adopted a 12-year-old Mexican child, Pablo, whom Huston discovered while filming The Treasure of the Sierra Madre in Mexico. Keyes alleged that later her adoptive son sexually molested her and that they lost contact.
Keyes said of her many lovers, including Mike Todd, Glenn Ford, Sterling Hayden, Dick Powell, Anthony Quinn, David Niven and Kirk Douglas: ‘I always took up with the man of the moment and there were many such moments.’
The cast are Van Heflin as Webb Garwood, Evelyn Keyes as Susan Gilvray, John Maxwell as Bud Crocker, Katherine Warren as Grace Crocker, Emerson Treacy as William Gilvray, Madge Blake as Martha Gilvray, Wheaton Chambers as Dr William James, Robert Osterloh as Coroner, Louise Lorimer as Motel Manager, Sherry Hall as John Gilvray, Herbert Anderson as Reporter, and Dalton Trumbo as radio voice of John Gilvray.
© Derek Winnert 2014 Classic Movie Review 1,311
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